About
Who We Are
Bios
HIstory
Resources
NBH Records Catalog
Contact and Terms
Braxton75
Braxton75 Overview
Braxton75 Activities 2018
Braxton75 Activities 2019
Braxton75 Activities 2020
Releases
Scores
Catalog
Print Music
Performance Practice
Archive
Events
Writings
AFRICA: TRIANGLE LAND NO-1
THE CLANSMAN
INITIAL ENCOUNTERS: (ANTE-BELLUM/FOCUS)
AFRICA: THE PULSE MODEL PERSPECTIVE
ARCHITECTURE STYLE IN WEST AFRICA
CULTURAL FUSION & COMPOSITE REALITY
JOLA INITIATION RITUAL: MAPPING NO-1
'CIRCLE HOUSE' NO-1
THE LOGIC OF ANIMATE BEHAVIOUR
RECOGNITION AND CHANGE
AFRICAN RITUAL FUNERAL MUSIC DOGON CULTURE: THREE SNAPSHOTS
REDEMPTIVE TRANSOFRMATION NO-1
'THE FIRST OF THE MOHICANS'
KNOWN/THE UNKNOWN/AND BELIEF
NARRATIVE STRUCTURES
EXPERIENCE AND ‘SURPRISE’
PIRANDELLO: TRANSCENDENT STRATEGIES
THE JEW OF MALTA
ALLEGORY AND FORM
TRI-CENTRIC-'MERCHANT'
'MOOR OR LESS'
POETIC LOGICS: MEDIEVAL PERIOD
POETIC LOGICS NO-2
The Story-Mythology Progressionism in Asia
Support
About
Who We Are
Bios
HIstory
Resources
NBH Records Catalog
Contact and Terms
Braxton75
Braxton75 Overview
Braxton75 Activities 2018
Braxton75 Activities 2019
Braxton75 Activities 2020
Releases
Scores
Catalog
Print Music
Performance Practice
Archive
Events
Writings
AFRICA: TRIANGLE LAND NO-1
THE CLANSMAN
INITIAL ENCOUNTERS: (ANTE-BELLUM/FOCUS)
AFRICA: THE PULSE MODEL PERSPECTIVE
ARCHITECTURE STYLE IN WEST AFRICA
CULTURAL FUSION & COMPOSITE REALITY
JOLA INITIATION RITUAL: MAPPING NO-1
'CIRCLE HOUSE' NO-1
THE LOGIC OF ANIMATE BEHAVIOUR
RECOGNITION AND CHANGE
AFRICAN RITUAL FUNERAL MUSIC DOGON CULTURE: THREE SNAPSHOTS
REDEMPTIVE TRANSOFRMATION NO-1
'THE FIRST OF THE MOHICANS'
KNOWN/THE UNKNOWN/AND BELIEF
NARRATIVE STRUCTURES
EXPERIENCE AND ‘SURPRISE’
PIRANDELLO: TRANSCENDENT STRATEGIES
THE JEW OF MALTA
ALLEGORY AND FORM
TRI-CENTRIC-'MERCHANT'
'MOOR OR LESS'
POETIC LOGICS: MEDIEVAL PERIOD
POETIC LOGICS NO-2
The Story-Mythology Progressionism in Asia
Support
Print Music
Filter
All
Creative Orchestra
Duo
Ghost Trance Music
Orchestra
Piano
Quartet
Small Ensemble
Composition No. 1 (piano)
32.00
Composition No. 5 (piano)
32.00
Composition No. 27 (for orchestra)
from
100.00
Composition No. 30 (piano)
90.00
Composition No. 37 (for saxophone quartet)
20.00
Composition No. 56 (creative orchestra)
from
20.00
Composition No. 58 (for creative orchestra)
from
30.00
Composition No. 59 (for two soloists and twelve instrumentalists)
from
30.00
Composition No. 63 (for two soloists and chamber orchestra)
from
60.00
Composition No. 108 (pulse tracks)
16.00
Composition No. 115 (quartet)
14.00
Composition No. 131 (quartet)
19.00
Composition No. 134 (creative orchestra)
from
30.00
Composition No. 136 (for any instrumentation)
14.00
Composition No. 139 (piano)
62.00
Composition No. 142 (sextet)
from
11.00
Composition No. 144 (quintet)
from
30.00
Composition No. 152 (duo)
9.00
Composition No. 168 (duo)
90.00
Composition No. 193 (GTM)
35.00
Composition No. 228 (GTM)
45.00
Composition No. 245 (GTM)
14.00
Composition No. 255 (GTM)
90.00
Composition No. 304 (duo)
10.00
Composition No. 305 (duo)
10.00
Composition No. 358 (GTM)
50.00
