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AFRICA: TRIANGLE LAND NO-1
THE CLANSMAN
INITIAL ENCOUNTERS: (ANTE-BELLUM/FOCUS)
AFRICA: THE PULSE MODEL PERSPECTIVE
ARCHITECTURE STYLE IN WEST AFRICA
CULTURAL FUSION & COMPOSITE REALITY
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'CIRCLE HOUSE' NO-1
THE LOGIC OF ANIMATE BEHAVIOUR
RECOGNITION AND CHANGE
AFRICAN RITUAL FUNERAL MUSIC DOGON CULTURE: THREE SNAPSHOTS
REDEMPTIVE TRANSOFRMATION NO-1
'THE FIRST OF THE MOHICANS'
KNOWN/THE UNKNOWN/AND BELIEF
NARRATIVE STRUCTURES
EXPERIENCE AND ‘SURPRISE’
PIRANDELLO: TRANSCENDENT STRATEGIES
THE JEW OF MALTA
ALLEGORY AND FORM
TRI-CENTRIC-'MERCHANT'
'MOOR OR LESS'
POETIC LOGICS: MEDIEVAL PERIOD
POETIC LOGICS NO-2
The Story-Mythology Progressionism in Asia
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NBH Records Catalog
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Anthony Braxton Catalog of Works
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Anthony Braxton Papers at LOC
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AFRICA: TRIANGLE LAND NO-1
THE CLANSMAN
INITIAL ENCOUNTERS: (ANTE-BELLUM/FOCUS)
AFRICA: THE PULSE MODEL PERSPECTIVE
ARCHITECTURE STYLE IN WEST AFRICA
CULTURAL FUSION & COMPOSITE REALITY
JOLA INITIATION RITUAL: MAPPING NO-1
'CIRCLE HOUSE' NO-1
THE LOGIC OF ANIMATE BEHAVIOUR
RECOGNITION AND CHANGE
AFRICAN RITUAL FUNERAL MUSIC DOGON CULTURE: THREE SNAPSHOTS
REDEMPTIVE TRANSOFRMATION NO-1
'THE FIRST OF THE MOHICANS'
KNOWN/THE UNKNOWN/AND BELIEF
NARRATIVE STRUCTURES
EXPERIENCE AND ‘SURPRISE’
PIRANDELLO: TRANSCENDENT STRATEGIES
THE JEW OF MALTA
ALLEGORY AND FORM
TRI-CENTRIC-'MERCHANT'
'MOOR OR LESS'
POETIC LOGICS: MEDIEVAL PERIOD
POETIC LOGICS NO-2
The Story-Mythology Progressionism in Asia
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Composition No. 95 (for two pianists)
Composition No. 95 (for two pianists)
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